received a Critic’s Pick award from the Austin Chronicle for “the best place to get your hands dirty at an art opening”
a review by Vivie Behrens in Sightlines for the project A Pit Fire With Partial Shade
a review by Macaella Gray and Zoe Roden in Number Magazine for Trey Burns’s exhibition Lake Sky Glow Thunder Air, Water, Mountain, and Ground
a mention in Rolling Stone for Dots Per Inch’s South by Southwest showcase
and landed on the cover of Speedy Wonderground’s EP.